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Returning with his second release on Gravitas Music, Dysphemic perfectly melds glitch hop with 1980s sci-fi soundtrack vibes on “Inter-G-Lactic”. Julian, who is better known as Dysphemic, has co-created this cosmically minded EP alongside his brother Yiani as a tribute to their father, Vernon Treweeke, who passed alway last year. Well known for his visually psychedelic paintings, Vernon was a well respected figure within the Australian and international psychedelic community; his legacy lives on through his sons and their musical memorial to his achievements.
The freshman tune “Age Of Vern” kicks things off with conscious hip hop cut fueled by classy Spanish guitar and funky yet smooth bass lines. Things get a bit heavier with the title track; well-tuned synthesis plays beautifully alongside filtered, twangy guitar riffs. Called “a tour de force of Balkan and Middle Eastern string sounds” by The Untz, “Anatoli” dips deep into an exotic aesthetic while continuing the larger aesthetic of the album. “Decompression” brings up the rear with its intricately resampled reese basses and broken, pulsing drum beat.
Returning with his second release on Gravitas Music, Dysphemic perfectly melds glitch hop with 1980s sci-fi soundtrack vibes on “Inter-G-Lactic”. Julian, who is better known as Dysphemic, has co-created this cosmically minded EP alongside his brother Yiani as a tribute to their father, Vernon Treweeke, who passed alway last year. Well known for his visually psychedelic paintings, Vernon was a well respected figure within the Australian and international psychedelic community; his legacy lives on through his sons and their musical memorial to his achievements.
The freshman tune “Age Of Vern” kicks things off with conscious hip hop cut fueled by classy Spanish guitar and funky yet smooth bass lines. Things get a bit heavier with the title track; well-tuned synthesis plays beautifully alongside filtered, twangy guitar riffs. Called “a tour de force of Balkan and Middle Eastern string sounds” by The Untz, “Anatoli” dips deep into an exotic aesthetic while continuing the larger aesthetic of the album. “Decompression” brings up the rear with its intricately resampled reese basses and broken, pulsing drum beat.
Two brothers have crafted a touching tribute to their legendary father in in the latest release from Gravitas Recordings. A rising star in the Aussie glitch-hop scene, Dysphemic has been impressing with a number of critically acclaimed releases over the past few years, many with violinist Miss Eliza. Branching out on his own, Julian Treweeke teamed with his brother, the talented guitarist Yiani Treweeke, on the new EP, Inter-G-Lactic.
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Returning with his second release on Gravitas Music, Dysphemic perfectly melds glitch hop with 1980s sci-fi soundtrack vibes on “Inter-G-Lactic”. Julian, who is better known as Dysphemic, has co-created this cosmically minded EP alongside his brother Yiani as a tribute to their father, Vernon Treweeke, who passed alway last year. Well known for his visually psychedelic paintings, Vernon was a well respected figure within the Australian and international psychedelic community; his legacy lives on through his sons and their musical memorial to his achievements.
The freshman tune “Age Of Vern” kicks things off with conscious hip hop cut fueled by classy Spanish guitar and funky yet smooth bass lines. Things get a bit heavier with the title track; well-tuned synthesis plays beautifully alongside filtered, twangy guitar riffs. Called “a tour de force of Balkan and Middle Eastern string sounds” by The Untz, “Anatoli” dips deep into an exotic aesthetic while continuing the larger aesthetic of the album. “Decompression” brings up the rear with its intricately resampled reese basses and broken, pulsing drum beat.
Inter-G-Lactic Dysphemic
@GRAVITASRECORDINGS
