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Fresh off a successful year of music releases, music festival performances, and co-headlining runs, Templo comes to Gravitas Recordings to debut his long-awaited creation, Mountains Can’t Cry. This six-track EP is rooted within Liam’s inspiration from world instruments and sounds in nature. After producing an array of diverse styles and genres over the past few years, he would always find himself returning to Mountains Can’t Cry whenever he needed to relax. Evident within the EP’s melodic fusion, Mountains Can’t Cry was an outlet where he was able to let the music flow naturally. Liam has always been attracted to ethnic and dub reggae styles of music, and listeners can expect to hear more organic sounds in future releases to come.
“Magnetics” quickly establishes the ethnic and reggae grooves that are to come as an experimental soundscape enters, riddled with a sampled atmosphere of those who inhabit the area. As the sun goes down and darkness overlays, “The Owl Watches” throughout the night, examining the mischief and mistreatment that has been done through a series of ominous strings. Cries from the mountain attempt to produce during “Shot In The Dark,” but they struggle to form once the psychedelic dub acoustics make their strike. Wandering along the Earth, “Tommy Heads West” to further detect world instruments that accompany groovy riffs and oscillation. “They Gone” introduces the meek weeps from sentient creatures that strive to vocalize on behalf of the mountain. As nature itself begins to power down in “RedShotScandal,” the tides abruptly turn as living creatures and world fusion collide to form a powerhouse of hope for the silent mountain
Fresh off a successful year of music releases, music festival performances, and co-headlining runs, Templo comes to Gravitas Recordings to debut his long-awaited creation, Mountains Can’t Cry. This six-track EP is rooted within Liam’s inspiration from world instruments and sounds in nature. After producing an array of diverse styles and genres over the past few years, he would always find himself returning to Mountains Can’t Cry whenever he needed to relax. Evident within the EP’s melodic fusion, Mountains Can’t Cry was an outlet where he was able to let the music flow naturally. Liam has always been attracted to ethnic and dub reggae styles of music, and listeners can expect to hear more organic sounds in future releases to come.
“Magnetics” quickly establishes the ethnic and reggae grooves that are to come as an experimental soundscape enters, riddled with a sampled atmosphere of those who inhabit the area. As the sun goes down and darkness overlays, “The Owl Watches” throughout the night, examining the mischief and mistreatment that has been done through a series of ominous strings. Cries from the mountain attempt to produce during “Shot In The Dark,” but they struggle to form once the psychedelic dub acoustics make their strike. Wandering along the Earth, “Tommy Heads West” to further detect world instruments that accompany groovy riffs and oscillation. “They Gone” introduces the meek weeps from sentient creatures that strive to vocalize on behalf of the mountain. As nature itself begins to power down in “RedShotScandal,” the tides abruptly turn as living creatures and world fusion collide to form a powerhouse of hope for the silent mountain
Woofax & Willdabeast have teamed up for a collaboration release out May 12th on Gravitas Recordings. There new single Merely Players leans more on the bass side of their sound, with captivating vocals and a catchy beat perfect to flow to. It still brings in their live instrumentation but is no longer the focus of the track, slowly building more and more instruments in as the song progresses.
Woofax & Willdabeast have teamed up for a collaboration release out May 12th on Gravitas Recordings. A blend between live music and electronic engineering, this release is a groovy bass-heavy that merges genres perfectly. With funky live instruments, glitchy bass design and catchy melodies this EP hits all our sweet spots. This energetic release is catchy, fun and we can’t get enough of how these two artists blended their sounds to make something special.
Dillard brings a surreal LP to Gravitas Recordings April 14th 2023. Full of organic textures, trippy sound design and a calming but upbeat feel, this release speaks for itself and brings out something special for anyone.
TALEX makes his debut on Gravitas Recordings with a powerful EP out March 31st on all platforms. The tracks bring cinematic and emotional qualities while keeping a bass music foundation, telling a story in a beautiful way.
deemster makes his debut release and beginning of a new project on Gravitas Recordings March 3rd. Previously known as RUN DMT, this new project is lovingly saturated with trip hop, jungle, turntablism, breaks, and other styles of music that inspired him early on in his career.
Ritual, out February 24th on Gravitas Recordings, is a sensual bass track with a blend of influences and energetic feel.
Fresh off a successful year of music releases, music festival performances, and co-headlining runs, Templo comes to Gravitas Recordings to debut his long-awaited creation, Mountains Can’t Cry. This six-track EP is rooted within Liam’s inspiration from world instruments and sounds in nature. After producing an array of diverse styles and genres over the past few years, he would always find himself returning to Mountains Can’t Cry whenever he needed to relax. Evident within the EP’s melodic fusion, Mountains Can’t Cry was an outlet where he was able to let the music flow naturally. Liam has always been attracted to ethnic and dub reggae styles of music, and listeners can expect to hear more organic sounds in future releases to come.
“Magnetics” quickly establishes the ethnic and reggae grooves that are to come as an experimental soundscape enters, riddled with a sampled atmosphere of those who inhabit the area. As the sun goes down and darkness overlays, “The Owl Watches” throughout the night, examining the mischief and mistreatment that has been done through a series of ominous strings. Cries from the mountain attempt to produce during “Shot In The Dark,” but they struggle to form once the psychedelic dub acoustics make their strike. Wandering along the Earth, “Tommy Heads West” to further detect world instruments that accompany groovy riffs and oscillation. “They Gone” introduces the meek weeps from sentient creatures that strive to vocalize on behalf of the mountain. As nature itself begins to power down in “RedShotScandal,” the tides abruptly turn as living creatures and world fusion collide to form a powerhouse of hope for the silent mountain
Mountains Can’t Cry Templo
@GRAVITASRECORDINGS